This impressive panoramic photomontage consists of thirteen digital prints made from the original negatives assembled by the artist in 2021. Coming upon the Temple of Hercules during a stay in Rome in the summer of 1976, Françoise Sullivan engaged in an energetic race in the peristyle of this small circular temple dedicated to the god Hercules Olivarius. Her performance was captured on camera by her accomplice at the time, David Moore. Circularity, rapid breathing and strength characterize the action, and the photographic frieze, designed to convey one uninterrupted movement, is structured by the rhythm of the columns. The photomontage, by the joins of its thirteen images intentionally misaligned, shows traces of manipulation, cutting and gluing. The overall impression of the frieze is one of movement, as if a reel of film were unrolling before our eyes as we make our way along the work.